Swedish melodi-punks ditch the ska influence on their fourth album.
MILLENCOLIN ARE American in everything but their nationalities. Their whole pop-punk sound and skater image comes straight from the pages of the ‘South California Punk Rock Handbook’. But they play the crisp, punchy bounce-core game as well as any of their Yank peers, so for that we can definitely forgive them for their identity complex.
Millencolin’s precious albums, ‘Tiny Tunes’, ‘Life On A Plate’ and ‘For Monkeys’ displayed the band’s affection for infectious ska rhythms and chirpy tunes, mixed in with more full-on, but neatly crafted riffery. ‘Pennybridge Pioneers’ retains their sunny, colourful outlook but goes for a more driving, heads-down approach, and it’s their most focused and cohesive collection yet.
Produced by their long-standing hero, label boss and friend, Bad Religion/Epitaph man Brett Gurewitz, the album sounds immaculate. Every guitar crunch from Mathias Farm and bass run from frontman Nikola Sa
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